She is the one who carries the one, the two and the three in herself.Īs the four she gives birth to the three aspects and manifests them. She is on all cosmic levels the Yin complement. She is “the God-bearer”. In the three of the child both parents live on.įour: Goddess shows herself in 4 aspects: mother ,sister, bride and daughter.
Goddess is the force that manifests no-thingness. In Jewish mysticism this is called Hohma and in India Shakti. The Goddess carries the two poles of the Yin and the Yang (Father and Mother). Three: The tension between the two poles arises because of the breathing into each other. Of course this has been a very slow but gradual development in history but the effects of it last until this very day. They stop being partners and are labelled “good” and “bad”. 1 Kor.11-39 is where this very old knowledge has become distorted the words male and female as carriers of energy are taken literally. Goddess is in the feminine polarity she turns to the centre to receive energies and then turns outward to express the energies. The upper one (Yang, consciousness, male) goes out, the lower one (Yin, energy, female) receives. Two: In the field of darkness and no-thingness is vibration polarity is created. Goddess or Wisdom is the source of manifestation. Together with no-thingness she dances in creation on all levels of the mirror that the Goddess is, whirling and pulsing in and out ,no-thingness breathing out en Goddess breathing in, expansion, contraction, stasis. When the mirror image, Goddess, becomes conscious of the eternity and endlessness of Herself and manifests Herself in that way, she has embodied the bridge, the ladder, the mountain she will have put down the veil and reveal herself in all her beauty and glory that will be visible to all. That is why she has two faces a dark, mysterious side directed to the eternal and a side directed to the external. This is the cause of everything being bi-polar in creation, there is a hidden inside and a visible outside. In the mirror of no-thingness Goddess becomes his body. To create is to establish boundaries and no-thingness is limiting itself: it is an effort. One: Book of proverbs 8.22-39, Goddess and God work together, to restrict chaos in order to create a cosmos.
No beginning or end, no boundary or ground. Sometimes referred to as waters, not real waters but primordial chaos. Zero: there is a primordial darkness and calmness. Here is a very basic summery of the geometric figures and shapes but I highly recommend to go to the “Books” section for in-depth literature in regard to this subject. By using Sacred Geometry our ancestors depicted the creation or make-up of our universe by the Divine Yang and Yin and the task of the human being therein in ever widening spirals of increasing density in the lower dimensions and thus estrangement of the Divine. The oldest evidence of the use of Sacred Geometry (that I have found) dates back to 70.000 BC and originates from South Africa ( link). In these cultures psychic abilities were held in high esteem as they served the well-being of the community. This is the very reason for the similarities in symbolism of the world’s cultures: the cultural output was based on what the psychics, prophets of the communities received and they were, and in some cultures still are, the ones who were allowed to produce the artefacts used in various rituals as they were able to convey the intended energy signature to the object. People with access to the higher dimensions see these geometric shapes where they emanate specific energies to sustain and support the physical dimension. In a pre-literate world the oldest evidence of the Great Knowledge or Inner Teachings is expressed by means of geometry that has always been regarded as Sacred Geometry as it represented the Divine Law of physical manifestation.
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